top of page
Search

Drowning in Disappointment: “The Legend of La Llorona” Fails to Impress

The Legend of La Llorona attempts to reanimate a centuries-old ghost story, but much like its titular specter, it seems lost between worlds—neither achieving true horror nor captivating storytelling. It’s as if someone thought, “Let’s mix folklore with a pinch of jump scares and call it a night,” forgetting that a great tale actually requires, you know, substance.


To begin with, the plot unfolds with all the grace of a cat in a bathtub. We are introduced to a family teetering on the brink of a supernatural crisis, led by a father whose acting skills suggest he may have just wandered off set from a soap opera audition. The dialogue is so painfully stilted that one might suspect the script was written by AI on a caffeine binge. Lines like “We must confront her!” echo throughout, seemingly lifted from the crumpled pages of a middle school drama project where every character has a penchant for melodrama.


Our ghostly antagonist, La Llorona, is brought forth with much fanfare. Unfortunately, instead of the hair-raising moments of dread expected from such a figure, we’re treated to a series of lackluster jumps and eerie sounds that feel more like an awkward date than a horror scene. Picture this: a demonic cry echoes through the night, and instead of rising chills, I found myself suppressing laughter. There’s something decidedly humorous about a tragedy that manifests through awkwardly timed sound effects and over-the-top visuals that rival the worst of early 2000s CGI. The movie takes a stab at aesthetic horror, but it ultimately feels like makeup smeared on a canvas that forgot what colors were meant to represent fear.


Visually, the film presents a collage of dimly lit rooms and shadowy figures moving with the subtlety of a marching band. The cinematography seems to think that darkness is inherently scary, but too many murky shots leave the audience squinting, trying to make sense of what horrors lurk beyond the visible spectrum. It’s difficult to feel tension when you can’t tell if you’re staring at La Llorona or merely the actor grappling with another poorly written line.


The characters are as two-dimensional as the screens they flicker upon. Our protagonists are essentially walking tropes, each imitating the last like a clumsy game of charades. The father’s journey to save his family from La Llorona is akin to watching someone try to put together IKEA furniture without instructions—confusing, occasionally humorous, and ultimately frustrating. His emotional growth feels concocted, little more than a desperate grasp at depth that falls flat under the weight of uninspired writing.


In terms of thematic depth, the film attempts to explore loss and familial bonds, but it buries these themes under layers of cliché. One gets the feeling that the filmmakers were hoping for a poignant exploration of grief, yet instead delivered a message muddled by contrived situations. La Llorona, once a figure of sorrow and regret, is reduced to a mere plot device, her tragic backstory drowned out by the lack of nuance in the storytelling.


In conclusion, The Legend of La Llorona is less a masterful retelling of a classic tale and more a misstep into the realm of the unintentional comedy. It’s a film that might provide a few laughs, if not for the reasons intended, and becomes an ironic commentary on how not to adapt folklore. So, for those seeking genuine chills or a thrilling narrative, consider skipping this watery grave of a film. Instead, find solace in the shadows of a better legend—like, say, The Legend of Sleepy Hollow—where the only thing haunting you will be the quality of storytelling, not the regrettable choices made on-screen.

 
 
 

Comments


bottom of page